Sarthak Kaul
- Mar 13, 2021
Zhwan [Kaveh Jahed, Iran, 2019]
Kaved Jahed’s Zhwan is a subtle but scathing social commentary on gender inequality, sexism, and regressive patriarchal mores...
Fung Ying Cheng
- Mar 13, 2021
Redman [Harry Oddie, UK, 2021]
Harry Oddie’s Redman reimagines a very particular hero identity. Perhaps as a subversion of the superheroes that have crept up in film...
Hope Smith
- Mar 11, 2021
Fargate [Sally Cancello, UK, 2020]
In light of International Women’s Day, it is time that we paid more attention to our female directors, creators, actresses...
Melody Chan
- Mar 8, 2021
Work From Home [Gautam Chaturvedi, India, 2020]
At the time of writing, millions will be working from home as the coronavirus continues to spread like poison ivy.
Natalia Brammen
- Mar 6, 2021
Starlings [Simon Allen, UK, 2021]
Since the creation of cinema, filmmakers, critics, and even audiences have often favoured the visual aspect of filmmaking.
Natasha Lake
- Mar 6, 2021
Merrow [Baz Black, Republic of Ireland, 2020]
Merrow by Baz Black is a short film – just over six and a half minutes in length – which shows the audience the beauty of Ireland.
Kiran McCann
- Mar 6, 2021
Oh, Brother [Pierce Csurgo, Canada, 2020]
Directed by Pierce Csurgo, Oh, Brother explores young male mental health and toxic masculinity, and how the two intertwine through...
Fung Ying Cheng
- Mar 6, 2021
Suddenly Single in the Suburbs [Eric Francis Melaragni, USA, 2020]
Dating is hard enough, but what happens after you step back in after leaving it behind for near enough twenty years – after marriage...