Anyone who has ever been left confused by the obscurity of their own dreams will be familiar with the inherent fascination and frustration of viewing Malady of Us; that longing to better recall, better decode the meaning of one’s own dreams, to discern their significance and discover why our subconscious causes certain events or places to recur across dreams spanning many years. Director Tanakit Kitsanayunyong explores through art what it feels like when we awaken from sleep

Yourself is a short commercial film which highlights a uniquely twenty-first century issue, calling its viewers back to nature and drawing us away from the hustle and bustle of city life, imploring us to ‘wake up, [and] let go of the system.’ The cool-toned colour palette of blues and subdued sandy tones immerses the viewer into the world of the surf from the offset, where slowed down images of unfurling waves and sun-bleached hair blowing in the wind are gradually introduced

Skin depicts an uneasy anxiety surrounding the fragility of the physical interface between our inner and outer worlds. In this short, Andrea Mychaels explores the darker corners of human vulnerability through the grooves, inclines, and surfaces of the physical form in stasis and in motion. Through playing with natural shadow and light, the film visually highlights a more softened contrast between the paleness of the skin against a wholly black backdrop, this thematic also bei

GamePlan is a film that very definitely represents the social and global complexities of modern day manufacturing and consumerism. It is a very important film, not just for its narrative and message about where we are as a planet, but for where we are heading, and a comment on humanity’s self-designed fate. The duel thematic approach, employing the style of a board game with the emphasis on chance (such as ‘go back three places’), together with the deconstruction of a nation’

At some point everyone has been a victim to pareidolia, the phenomenon that occurs when we begin to interpret inanimate objects as something more familiar. For filmmaker and dance choreographer Chen Jiexiao, such an event occurred when he began to recognise faces in the foam of swimming float kickboards. Using this discovery as a stimulus for his characters, I See You See I See You utilises mask work, dance choreography and rubber ducks to deliver a short that is every bit as

Jennifer Revit’s Don’t Worry, Be Happy is the tale of one woman’s journey through Scandinavia. This collage of captured moments accompanied by one unfaltering voice works like a video diary as the narrator moves between Denmark, Norway and Sweden. While there are glimmers of potential, this short draws attention to some of the issues of the travelogue form. The shakily filmed scenes are sometimes cleverly linked with the nameless woman’s words. For example, as the narrator ob

Grace sees the transformation of a woman from a victim to a killer. This film, written and directed by Gaetano Ghiura, is a slick homage to the film noir genre. Yet, while the smooth production of the piece stands testament to the film crew’s ability, it is not enough to overcome the thinness of the plot. The film opens in a dank basement as Donnie approaches a bloodied woman lying on a mattress. He tenderly hands her a necklace before forcing her to shoot someone in the head