In present circumstances, London seems an unlikely setting for fairy godmothers and last-minute miracles. Irina Pizania’s film Tutu and Poin

Rose is unlike the vast majority of short films that reach the festival screens. It does not have a particular plot, it is not heavily styli

Since Twilight’s [Catherine Hardwicke, USA, 2008] pasty heartthrob, vampires have been synonymous with sexuality. It comes as little...

Driving tests and the breakneck advance of invasive technologies are two very reasonable things to feel anxious about. Combine the two...

Family reunions are not always joyous occasions. Throw in your dead mother’s ashes, an unexpected husband and a broken down fridge, and...

Collector’s Protocol is set in a dystopian world where the wealthy one per cent live in a protected city, while the remaining ninety-nine...

Vasco Diogo’s experimental compilation of vlogs pertains to be an exploration of audiovisual language, self-representation, manipulation...

The word ‘lemons’ is one letter away from ‘demons’, as the clever artwork for this film reminds us. When Edwin, a missionary from...

It’s late, it’s cold and the bar has closed. You’re standing alone in an empty street when a car pulls up, winds down the window and a...

Photography has long been a favourite subject of filmmakers. From Hitchcock’s iconic Rear Window [USA, 1954] to the modern classic City...