![Straange Attractors [Richard Paske, USA, 2018] /// Spremuta di Mostro [Daniel Mercatali & Michel](https://static.wixstatic.com/media/9b7dde_429489e2aab048978eff67a8abb2179b~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90/9b7dde_429489e2aab048978eff67a8abb2179b~mv2.jpg)
Sam Briggs
- Apr 27, 2019
Straange Attractors [Richard Paske, USA, 2018] /// Spremuta di Mostro [Daniel Mercatali & Michel
When musician Richard Paske sat down on his piano in Minneapolis in 1998, it is unlikely that he envisioned the results becoming a computer composited experimental film twenty years down the line. The importance of never throwing away one’s finished work has never been more felt than it has for Paske, with a new life breathed into his original eleven bar blues. By passing his original live recording jazz ensemble piece through the Ableton Max for Live plug-in Oscilloscope v.2
![Letters from Eniwetok [Ed Carter, USA, 2018]](https://static.wixstatic.com/media/9b7dde_960e77b217f24bcd938a6efbbea8fe15~mv2.jpg/v1/fill/w_315,h_235,fp_0.50_0.50,q_90/9b7dde_960e77b217f24bcd938a6efbbea8fe15~mv2.jpg)
Charlie Greep
- Apr 24, 2019
Letters from Eniwetok [Ed Carter, USA, 2018]
Letters from Eniwetok is a 12-minute experimental short film from Boston-based British director Ed Carter. It tells the story of a young woman (played by Hazel Rodes) who discovers various objects buried at the beach near her home and the effect on her life this ritual has. Shot in evocative black and white with superb lighting, the short film is an effective little piece, which successfully portrays the intimacy of discovery. The plot’s events, as detailed above, are occasio
![The Drone Master [Sébastien Duhem, France, 2018]](https://static.wixstatic.com/media/9b7dde_fdbfdd66a03e46bd9b2fc56cfd80545e~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90/9b7dde_fdbfdd66a03e46bd9b2fc56cfd80545e~mv2.jpg)
Jim Rogers
- Apr 18, 2019
The Drone Master [Sébastien Duhem, France, 2018]
The year is 3049, humankind is finished, virtually bereft of existence, with the last man alive placing his own survival in the hands and will of a machine, relying on it to share and record his final days. The Drone Master's narrative is open and expansive, with nods and references peppered throughout for sci-fi fans. For instance, the drone’s recorded name is a direct reference to Alien [Ridley Scott, US, 1979] and, from the outset, there is a feeling and shape similar to c
![Nivette [Gaëtan Boschini, France, 2018] /// A Great Fall [Jez Leather & Jonny Cola, UK, 2018]](https://static.wixstatic.com/media/9b7dde_a0fc0c8795ca48ca912fdd68e4d26846~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90/9b7dde_a0fc0c8795ca48ca912fdd68e4d26846~mv2.jpg)
Sam Briggs
- Apr 18, 2019
Nivette [Gaëtan Boschini, France, 2018] /// A Great Fall [Jez Leather & Jonny Cola, UK, 2018]
Les Schini’s Company’s ability to deliver an extended piece of dance choreography that is both fantastically interesting and deceptively subtle is an achievement that should, under no circumstances, be downplayed. Gaëtan Boschini’s direction and Mélodie Cecchini’s choreography are both ludicrously strong. Nivette explores society’s attitude towards the elderly and its predominately pejorative outlook towards the processes of ageing and physical decay. As a piece of short form
![First Impressions Can Kill [Eddie Bammeke, UK, 2017]](https://static.wixstatic.com/media/9b7dde_22d7a665731746d693edf6b450c82d4b~mv2_d_2880_1615_s_2.png/v1/fill/w_315,h_177,fp_0.50_0.50/9b7dde_22d7a665731746d693edf6b450c82d4b~mv2_d_2880_1615_s_2.png)
Chara Kitsaki
- Apr 16, 2019
First Impressions Can Kill [Eddie Bammeke, UK, 2017]
Have you ever seen a movie and thought, "this actor is truly killing it"? Well, in Eddie Bammeke’s short film First Impressions Can Kill, that is exactly what the seemingly plain, loving and smiling Jane Higgins (Lynn Lowry) is doing. A lovely, middle-aged woman with a broad smile, shining blonde hair and a bubbling personality enters an empty audition room for a production entitled ‘Cockney Holocaust’. Jane is immediately portrayed as a passionate and ambitious actress, who
![Unsent Letter [Christian Gordine, UK, 2018] /// Are You Volleyball?! [Mohammad Bakhshi, Iran, 2018]](https://static.wixstatic.com/media/9b7dde_ea2f5e52d78b489e9396291fa21d1704~mv2.jpg/v1/fill/w_315,h_204,fp_0.50_0.50,q_90/9b7dde_ea2f5e52d78b489e9396291fa21d1704~mv2.jpg)
Gabriella Florence Kumah
- Apr 11, 2019
Unsent Letter [Christian Gordine, UK, 2018] /// Are You Volleyball?! [Mohammad Bakhshi, Iran, 2018]
Christian Gordine’s Unsent Letter imagines the story of a World War II serviceman as he recollects profound memories shared with a former lover. The narrative inventively transforms the original letter into a moving on screen performance, where Gordine personifies tumultuous themes of love, discontentment and idealism. The short opens with the ambience of surging ocean waves washing against a coastal shoreline. The audience is presented simultaneously with a brief written syn
![Whose Dreamland? [John Barlow, UK, 2017] /// Payal Chawla: The Mind That Matters [Ajay Chitnis, Indi](https://static.wixstatic.com/media/9b7dde_ad08c190652d4d33a1efe95a4327313a~mv2_d_2880_1541_s_2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90/9b7dde_ad08c190652d4d33a1efe95a4327313a~mv2_d_2880_1541_s_2.jpg)
Sam Briggs
- Apr 10, 2019
Whose Dreamland? [John Barlow, UK, 2017] /// Payal Chawla: The Mind That Matters [Ajay Chitnis, Indi
Using the visual connectivity of national waterways, Whose Dreamland? collects filmed sequences from English seaside ports and towns, as well as constituencies along the Thames estuary, to give visual context to some of Britain’s staunchest euro-skeptic areas. Our visual journey down the quintessentially British Thames estuary into the most historically significant port of UK boarder defence, Dover, grounds the documentary’s account of regional attitudes concerning the EU. Th
![Ford Mustang: Get in Line [Rick Peters, USA, 2018] /// Wear Your Emotions: Delight [Masaya Matsui, F](https://static.wixstatic.com/media/9b7dde_cd24008690814392867cdf2a98b2bf8e~mv2_d_2880_1209_s_2.png/v1/fill/w_315,h_177,fp_0.50_0.50/9b7dde_cd24008690814392867cdf2a98b2bf8e~mv2_d_2880_1209_s_2.png)
Charlie Greep
- Apr 9, 2019
Ford Mustang: Get in Line [Rick Peters, USA, 2018] /// Wear Your Emotions: Delight [Masaya Matsui, F
This spec commercial from director Rick Peters is a slick and straightforward piece of advertising. The commercial starts with a Ford Mustang driving through a desert, kicking up copious amounts of sand and dust as it speeds across the landscape. Close-ups of the car’s wheels and grill both provide a sense of speed and show off the details of the product on sale. After making a doughnut in the sand, the Mustang stops and the driver exits the vehicle. He hands the keys to a wa
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