Sally Roberts
- Apr 27, 2019
Rendez-vous with God [Kevin Van Doorslaer, Belgium, 2018] /// Predilection [Tabitha Walker, UK, 2017
Funerals gone wrong make for surprisingly common comic material. Death at a Funeral [Frank Oz, UK, 2007] and the continually unsung...
Sam Briggs
- Apr 27, 2019
Straange Attractors [Richard Paske, USA, 2018] /// Spremuta di Mostro [Daniel Mercatali & Michel
When musician Richard Paske sat down on his piano in Minneapolis in 1998, it is unlikely that he envisioned the results becoming a...
Charlie Greep
- Apr 24, 2019
Letters from Eniwetok [Ed Carter, USA, 2018]
Letters from Eniwetok is a 12-minute experimental short film from Boston-based British director Ed Carter. It tells the story of a young...
Jim Rogers
- Apr 18, 2019
The Drone Master [Sébastien Duhem, France, 2018]
The year is 3049, humankind is finished, virtually bereft of existence, with the last man alive placing his own survival in the hands and...
Sam Briggs
- Apr 18, 2019
Nivette [Gaëtan Boschini, France, 2018] /// A Great Fall [Jez Leather & Jonny Cola, UK, 2018]
Les Schini’s Company’s ability to deliver an extended piece of dance choreography that is both fantastically interesting and deceptively...
Chara Kitsaki
- Apr 16, 2019
First Impressions Can Kill [Eddie Bammeke, UK, 2017]
Have you ever seen a movie and thought, "this actor is truly killing it"? Well, in Eddie Bammeke’s short film First Impressions Can Kill,...
Sally Roberts
- Apr 12, 2019
Beautiful Wotevers [Francesca Schweiger & Louis Gering, Germany/UK, 2018] /// A Cowardly Lot [Ti
“Life is a cabaret”, according to Sally Bowles in Cabaret [Bob Fosse, US, 1972], the hit musical with an unoriginal name. In their...
Gabriella Florence Kumah
- Apr 11, 2019
Unsent Letter [Christian Gordine, UK, 2018] /// Are You Volleyball?! [Mohammad Bakhshi, Iran, 2018]
Christian Gordine’s Unsent Letter imagines the story of a World War II serviceman as he recollects profound memories shared with a former...