Sally Roberts
- Oct 29, 2019
Dani [Corey Allen, USA, 2019]
The plot focuses on Dani, who, after receiving a hassling call from her boss, notices a malignant presence in her garden. At first, it seems
Sally Roberts
- Oct 28, 2019
Queen of the Night [Georgia Hunter, Canada, 2018]
The topic of a drag queen trying to reconcile his relationship with his father is a highly relevant one, and well worthy of scrutiny. Howeve
Sally Roberts
- Oct 28, 2019
AF_SO_MONT_NB [Barbara Peikert, France, 2018]
Rather than a series of different shots, this film is comprised predominantly of the one single scene that glides across the screen, oscilla
Sally Roberts
- Oct 28, 2019
SHORT FOCUS 2019: José [João Monteiro, Portugal, 2019]
Although much of the story remains shrouded in words unspoken, there is a sense of drowning at the end of the short. The necklace lies half
Sally Roberts
- Oct 27, 2019
Yours Are Mine [Brooke Trantor, USA, 2018]
One thing that stands out in this short is its portrayal of healthy, supportive relationships between women. Although things are now slowly
Sally Roberts
- Oct 27, 2019
Empyreal [Lucas Coyte, UK, 2018]
Somewhat fittingly, the film’s main strength is its use of space - in both senses of the word. By setting one small object within a screenfu
Sally Roberts
- Oct 27, 2019
Darkus Buckerbergius [Schikhur, India, 2019]
The link made between more advanced methods of communication and greater social equality strikes a chord with recent controversies surroundi
Thom Carter
- Oct 27, 2019
The Painting in the Lobby [Mycle Scheuer, UK, 2018]
The great French critic André Bazin, commenting on the 1951 film Where No Vultures Fly [Henry Watt, UK], observed of one of its sequences, d