Jordon Briggs
- Jul 31, 2021
Love, Blood, Pain [Magnum Borini, Brazil, 2020]
Love, Blood, Pain is visually arresting, but the film’s construction never allows any real story into its compiled imagery.
Jordon Briggs
- Jul 31, 2021
Absence [Richard Marx, Germany/Ukraine, 2020]
Richard Marx’s surrealist tale, Absence, follows Lena, a woman enraptured by the moon and stars, and enraged by the murder of her husband...
Antonio Matei
- Jul 31, 2021
Cremeschnitte [Yan Jin, United States, 2021]
Cremeschnitte is more a video art piece than a conventional movie and, because of that, it has a strong power to expose controversial issues
Natalia Brammen
- Jul 29, 2021
Apocalypse Notes [Pierre Gaffié, France, 2020]
The post-apocalyptic sub-genre in film has been popular among various audiences going back to the earliest days of cinema.
Dean Archibald-Smith
- Jul 27, 2021
Chi Chi [Chelsey d'Adesky, USA, 2020]
Much like Brian De Palma, D’Adesky is adept at deconstructing narrative tropes and reconstructing them with a kind of metatextual irony...
Paromita Sengupta
- Jul 23, 2021
Stray [Wanjiru Njendu, USA, 2020]
Stray by Wanjiru Njendu traverses between the real and the surreal, confronting the socially problematic issue of the disappearance of black
Dean Archibald-Smith
- Jul 20, 2021
2020 [Heléna Antonio, Italy/UK, 2020]
2020 was that year that caught up with itself. Probably not since World War II has the global community been brought so starkly into...
Sarthak Kaul
- Jul 18, 2021
Water Walking [Mycle Scheuer, UK, 2020]
Water Walking is at its core a deeply personal film about how we all have to, at some point in life, no matter how painful...