John Pickering
- Feb 16, 2019
Scarecrow [Lee Charlish, UK, 2018]
Sometimes, we find ourselves shaking, screaming, at that film on our screens, baffled how these characters are making those same mistakes...
Jasdip Sensi
- Feb 16, 2019
Expecting [Stacey Menchel Kussel, USA, 2018]
Expecting is an artful and revealing dance documentary that charts summarily the career of ballerina Michele Wiles (former principal...
Vincent Dolan
- Feb 16, 2019
Radio Moon [Pierre Gaffié, France, 2018] /// The Hangman [Margaret McGoldrick, UK, 2018]
Radio Moon is an engaging analysis of guilt and the pressures of uncertainty. Directed by Pierre Gaffié, the film explores the...
Walt Eastfield
- Feb 4, 2019
The House [Giulia Gandini, UK, 2017]
Three children speculate the authenticity of an age-old tale surrounding Fallbridge House, where for many years nobody has been seen to...
Walt Eastfield
- Jan 14, 2019
Wait in Vain [Indigo Bates, USA, 2018] /// Generation [Pamela Woolford, USA, 2018]
A woman agonisingly waits for the phone to ring. She tries to psychically will the phone call into being with thoughts like “if I don’t...
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- Jan 4, 2019
Dripping Depression [Jordan Brandon, USA, 2017] /// Voice for the Voiceless [Bex Kearon-Wiles, UK/Ug
Dripping Depression begins with a young white male – the filmmaker not satisfied in merely casting the character in the mould of a...
Michael K. Adler
- Jan 1, 2019
Sarah [Amos Culbreth, USA, 2018] /// Disjunct [Brian Short, USA, 2017]
Sometimes the most heinous crimes are the ones carried out in broad daylight, right under the noses of complacent and none-the-wiser...
Patricia Watney
- Dec 28, 2018
The Thinning Blue Line: A Day in the Life of a Mid-Wales Copper [Liam A. Matthews, UK, 2017] /// An
In 2018, the UK saw policing reach the point of near collapse. Budget cuts led to regional police forces diminishing drastically in size,...