Sally Roberts
- Sep 20, 2019
You or Me [Yana Zinov, USA, 2019]
The short opens with an image of BDSM magazines strewn across a coffee table, yet while the theme of masochism runs throughout the film, it
Sally Roberts
- Sep 20, 2019
Piercing Stillness [Arepo, Italy, 2019]
Although, in his director’s statement Arepo writes that his motives are to celebrate stillness in a world so caught up with movement, this s
Sally Roberts
- Sep 20, 2019
Iyakkunar [Harish Gokul, India, 2018]
This short film eschews a conventional plot structure to get right to the heart of its message. As many short pieces make the mistake of try
Charlie Greep
- Sep 20, 2019
Speaking Out [Hannah Brochocki, UK, 2019]
It’s a simple and no frills documentary without any of the gimmicks or hooks some documentaries feel they need to have to keep the audience’
Charlie Greep
- Sep 20, 2019
Car Stealers [Christopher Guerrero, USA, 2018]
Car Stealers does have its imperfections but the core of the film does suggest the people behind it have the right comedic sensibilities to
Charlie Greep
- Sep 20, 2019
Super Cut Free Way [Vasco Diogo, Portugal, 2018]
Super Cut Free Way is an interesting piece. It is one of the few films you can convincingly argue is entirely the work of an auteur, Vasco D
Charlie Greep
- Sep 20, 2019
Hideous [Hamish Robertson, UK, 2019]
Hideous is a smart slice of psychological horror directed by Hamish Robertson and written by Jim Rennie. When cheerful and happily married f
Charlie Greep
- Sep 20, 2019
Who is Martin Danzig? [Michael Baker, USA, 2018]
Both Walter Koenig as Martin and Alana Gay as Aamani give excellent performances that allow us to understand and emphasise with both charact