Fung Ying Cheng
- Mar 20, 2021
Papa Was a Rolling Stone [Keith Williams, USA, 2020]
Sharing the title with the popular song by The Temptations, Keith Williams’ Papa Was a Rolling Stone focuses on the emotional turmoil...
Daniel Hess
- Mar 20, 2021
Asra [Caio Cortonesi, Brazil, 2018]
Asra delivers a beautifully honest and compelling story that tackles subjects not just strikingly uncommon in cinema...
Daniel Hess
- Mar 19, 2021
One Last Bite [John Ferrer, UK, 2020]
The roots of the zombie sub-genre in horror cinema can be traced all the way back to White Zombie [Victor Halperin, USA, 1932], with the...
Daniel Hess
- Mar 18, 2021
8 ¾ [Shawn M. Cheatham, USA, 2020]
Film always has and always will have the power to transcend simple moving images to create an honest reflection of life. No director was...
Sarthak Kaul
- Mar 18, 2021
The Cycle [Weronika Mliczewska, USA , 2015]
They say that a man with nothing to lose is the most dangerous. Weronika Mliczewska’s The Cycle sets out to augment that adage slightly,...
Will Whitehead
- Mar 17, 2021
The Blinded Ride [Matthew Steggles, UK, 2018]
Matthew Steggles’ The Blinded Ride is a compelling work of political dystopia. The short film, which follows a group of British refugees...
Natalia Brammen
- Mar 17, 2021
Clown [Shane O'Neill, Republic of Ireland/UK, 2021]
The American film critic and theoretician, Bill Nichols, once said that non-fiction stories could be about almost anything.
Melody Chan
- Mar 16, 2021
Whitewater [Tom Hamilton, UK, 2020]
A mystical woman, a redhead full of curls, walks out of the sea onto the shore with waves patting her legs...