Sam Briggs
- May 15, 2019
I See You See I See You [Chen Jiexiao, Singapore, 2017] /// Self-Portrait with Mother (Serve), USA,
At some point everyone has been a victim to pareidolia, the phenomenon that occurs when we begin to interpret inanimate objects as...
Sally Roberts
- May 14, 2019
Don’t Worry, Be Happy [Jennifer Revit, Denmark/Norway/Sweden, 2017]
Jennifer Revit’s Don’t Worry, Be Happy is the tale of one woman’s journey through Scandinavia. This collage of captured moments...
Sally Roberts
- May 14, 2019
Grace [Gaetano Ghiura, UK, 2018] /// Jax in Love [Colin Campbell, USA, 2017]
Grace sees the transformation of a woman from a victim to a killer. This film, written and directed by Gaetano Ghiura, is a slick homage...
Sally Roberts
- Apr 27, 2019
Rendez-vous with God [Kevin Van Doorslaer, Belgium, 2018] /// Predilection [Tabitha Walker, UK, 2017
Funerals gone wrong make for surprisingly common comic material. Death at a Funeral [Frank Oz, UK, 2007] and the continually unsung...
Sam Briggs
- Apr 27, 2019
Straange Attractors [Richard Paske, USA, 2018] /// Spremuta di Mostro [Daniel Mercatali & Michel
When musician Richard Paske sat down on his piano in Minneapolis in 1998, it is unlikely that he envisioned the results becoming a...
Charlie Greep
- Apr 24, 2019
Letters from Eniwetok [Ed Carter, USA, 2018]
Letters from Eniwetok is a 12-minute experimental short film from Boston-based British director Ed Carter. It tells the story of a young...
Jim Rogers
- Apr 18, 2019
The Drone Master [Sébastien Duhem, France, 2018]
The year is 3049, humankind is finished, virtually bereft of existence, with the last man alive placing his own survival in the hands and...
Sam Briggs
- Apr 18, 2019
Nivette [Gaëtan Boschini, France, 2018] /// A Great Fall [Jez Leather & Jonny Cola, UK, 2018]
Les Schini’s Company’s ability to deliver an extended piece of dance choreography that is both fantastically interesting and deceptively...