Sam Briggs
- Aug 12, 2019
The City of Honey [Moein Ruholami, Iran, 2018]
The City of Honey operates on a simple duality: the wonderment of a child’s imagination vs. the crushing reality of life in areas reeling fr
Sally Roberts
- Aug 4, 2019
Clean Up on Aisle 9 [Derrick J. Johnson, USA, 2018]
Having just defeated the Wildcats in the football game of the year, Cody (Jesse Carver) is forced to pass up a crazy house party (and the ch
Sally Roberts
- Aug 4, 2019
There’s No Sin To The South of Ecuador [Igor Furtado, Brazil, 2019]
There’s No Sin To The South of Ecuador arguably has two leading roles: one is a man in a wedding dress; the other is the Virgin Mary. Both a
Sally Roberts
- Aug 2, 2019
Supper for Civilised Girls [Ella Robertson, UK, 2019]
The film opens with Millie (Holland Bailey) and Francesca (Hiral Varsani), two schoolgirls on their way to meet the formidable Miss Kerswell
Sally Roberts
- Aug 2, 2019
The Curious Child [Howard Vause, UK, 2019]
The Curious Child is an unusual film both in its aesthetics and in its content. It manages to be suitable for younger viewers without being
Sally Roberts
- Jul 31, 2019
Tutu and Pointes [Irina Pizania, UK, 2018]
In present circumstances, London seems an unlikely setting for fairy godmothers and last-minute miracles. Irina Pizania’s film Tutu and Poin
Sally Roberts
- Jul 31, 2019
Rose [Edwin Miles, UK, 2018]
Rose is unlike the vast majority of short films that reach the festival screens. It does not have a particular plot, it is not heavily styli
Sally Roberts
- Jul 31, 2019
Cadair Y Fampir [Liam A. Matthews, UK, 2018]
Since Twilight’s [Catherine Hardwicke, USA, 2008] pasty heartthrob, vampires have been synonymous with sexuality. It comes as little...