Sally Roberts
- Jul 31, 2019
Tutu and Pointes [Irina Pizania, UK, 2018]
In present circumstances, London seems an unlikely setting for fairy godmothers and last-minute miracles. Irina Pizania’s film Tutu and Poin
Sally Roberts
- Jul 31, 2019
Rose [Edwin Miles, UK, 2018]
Rose is unlike the vast majority of short films that reach the festival screens. It does not have a particular plot, it is not heavily styli
Sally Roberts
- Jul 31, 2019
Cadair Y Fampir [Liam A. Matthews, UK, 2018]
Since Twilight’s [Catherine Hardwicke, USA, 2008] pasty heartthrob, vampires have been synonymous with sexuality. It comes as little...
Sally Roberts
- Jul 31, 2019
Collision [Jonell Rowe, UK, 2018]
Driving tests and the breakneck advance of invasive technologies are two very reasonable things to feel anxious about. Combine the two...
Sally Roberts
- Jul 31, 2019
I Miss the War [Andrew Walsh, Australia, 2018]
Family reunions are not always joyous occasions. Throw in your dead mother’s ashes, an unexpected husband and a broken down fridge, and...
Sally Roberts
- Jul 31, 2019
Collector’s Protocol [Fay Beck, UK, 2018]
Collector’s Protocol is set in a dystopian world where the wealthy one per cent live in a protected city, while the remaining ninety-nine...
Sally Roberts
- Jul 31, 2019
anexperimentalviralvlog - the movie remix # ! [Vasco Diogo, Portugal, 2016]
Vasco Diogo’s experimental compilation of vlogs pertains to be an exploration of audiovisual language, self-representation, manipulation...
Patricia Watney
- Jul 29, 2019
Knitting and Walking [Brenda Miller, UK, 2018]
Sometimes there are works of art that just do exactly what it says on the tin. If I told you, without you seeing it, that there was a...