Jim Rogers
- Apr 18, 2019
The Drone Master [Sébastien Duhem, France, 2018]
The year is 3049, humankind is finished, virtually bereft of existence, with the last man alive placing his own survival in the hands and...
Sam Briggs
- Apr 18, 2019
Nivette [Gaëtan Boschini, France, 2018] /// A Great Fall [Jez Leather & Jonny Cola, UK, 2018]
Les Schini’s Company’s ability to deliver an extended piece of dance choreography that is both fantastically interesting and deceptively...
Chara Kitsaki
- Apr 16, 2019
First Impressions Can Kill [Eddie Bammeke, UK, 2017]
Have you ever seen a movie and thought, "this actor is truly killing it"? Well, in Eddie Bammeke’s short film First Impressions Can Kill,...
Gabriella Florence Kumah
- Apr 11, 2019
Unsent Letter [Christian Gordine, UK, 2018] /// Are You Volleyball?! [Mohammad Bakhshi, Iran, 2018]
Christian Gordine’s Unsent Letter imagines the story of a World War II serviceman as he recollects profound memories shared with a former...
Sam Briggs
- Apr 10, 2019
Whose Dreamland? [John Barlow, UK, 2017] /// Payal Chawla: The Mind That Matters [Ajay Chitnis, Indi
Using the visual connectivity of national waterways, Whose Dreamland? collects filmed sequences from English seaside ports and towns, as...
Charlie Greep
- Apr 9, 2019
Ford Mustang: Get in Line [Rick Peters, USA, 2018] /// Wear Your Emotions: Delight [Masaya Matsui, F
This spec commercial from director Rick Peters is a slick and straightforward piece of advertising. The commercial starts with a Ford...
Grace Higgins
- Apr 9, 2019
Coins [Carson Wilds, Australia, 2018] /// Wear Your Emotions: Delight [Masaya Matsui, France, 2018]
‘Why is physical cash still around?’ is the implied question that Carson Wilds aims to answer in this short commercial centred on a...
Olivia Starr
- Apr 5, 2019
Gaslighting [Tina Matzat, Germany, 2018]
Gaslighting is a domestic drama that situates itself within an abusive modern relationship, where one partner expects to share the...