Jim Rogers
- Mar 7, 2019
Rachel [Indigo Bates, USA, 2018]
Rachel is a film with a clever narrative structure, an example of brave and incisive narrative filmmaking and a piece that that showcases a
Olivia Starr
- Mar 6, 2019
The Inuring [James Hughes, UK, 2016]
The powerful start of The Inuring presents itself as a tense drama. We are introduced to two young women who we come to realise, as the dram
Sam Briggs
- Mar 5, 2019
Constance (A Symphony of Kisses) [Pierre Gaffié, France, 2017] /// Finding Shakespeare [Margaret McG
Constance (A Symphony of Kisses) offers a charming account of one woman’s strategic pursuit of an end to loneliness. Its central premise...
Charlie Greep
- Mar 5, 2019
Back Up My Memories (Selene Citro & Luna Lunardi, Italy, 2018)
Part speculative fiction and part introspective look at memory, Back Up My Memories is an interesting short film from directing duo...
Jim Rogers
- Mar 4, 2019
Night Out in Killashandra [Lina Jalala, Ireland, 2018]
Night Out in Killashandra is a whip-smart take on the modern world of dating and the ways in which young people meet (or, in this case,...
Vincent Dolan
- Mar 4, 2019
Waves Over Sand [Mark Nugent, UK, 2017] /// Echo [Ron Graves, UK, 2018]
Watching someone lose their memory is one of life’s most difficult and profound experiences, especially when the inflicted begins to...
Jim Rogers
- Mar 4, 2019
A Water’s Edge [Nick Sneath, UK, 2018]
A Water’s Edge is an unnerving tale brought to us by writer/producer/director Nick Sneath, set against the backdrop of what is,...
Olivia Starr
- Mar 1, 2019
The Happy Camper™ [Paris Noonan & Simran Baweja, UK, 2018]
The Happy Camper™ is a black and white, 1950s period comedy opening with a miserable looking married couple sat on a sofa and an...