Sam Briggs
- Apr 10, 2019
Whose Dreamland? [John Barlow, UK, 2017] /// Payal Chawla: The Mind That Matters [Ajay Chitnis, Indi
Using the visual connectivity of national waterways, Whose Dreamland? collects filmed sequences from English seaside ports and towns, as...
Olivia Starr
- Apr 5, 2019
Gaslighting [Tina Matzat, Germany, 2018]
Gaslighting is a domestic drama that situates itself within an abusive modern relationship, where one partner expects to share the...
Sally Roberts
- Apr 3, 2019
LP [Nikita Kardakov & Anton Chebotov, UK, 2017] /// Penny [Louisa Harris, UK, 2017]
Have you ever had one of those days where the whole world seems to be plotting against you? In Nikita Kardakov and Anton Chebotov’s short...
Sam Briggs
- Apr 2, 2019
Reverie [Henry McClellan, USA, 2018] /// Engrammic [Billie Williams, UK, 2018]
Reverie is a delightful hand drawn animation that should be regarded as a must-see for anyone who claims to have a keen interest in the...
Gabriella Florence Kumah
- Mar 25, 2019
Tutu & Pointes [Iria Pizania, 2018] /// A Journey to Mother India [Cassie Goodluck-Johnson, 2018]
As a young child you are told to always 'dream big’. You are taught in school from a young age to have aspirations and to aim for...
Olivia Starr
- Mar 23, 2019
Cherry Colour Buttonholes [Brenda Miller, UK, 2018]
Brenda Miller’s filmmaking style is experimental in a social rather than artistic sense. Artistry and craftsmanship are the ostensible...
Toby Fisher
- Mar 22, 2019
Operation 747 [Mohammad Esmaeili, Iran, 2017]
The film’s success is largely thanks to Esmaeili and co-writer Mojtaba Esmaelizadeh’s excellently paced and well written screenplay. Every c
Sally Roberts
- Mar 21, 2019
SHORT FOCUS 2018: Kukukid AW2018 [Adrian Chudek, Poland, 2018]
Kukukid AW2018, an advertisement for a Polish brand of children’s clothing, bursts onto the screen with a bright shot of energy as impossibl