Somewhat fittingly, the film’s main strength is its use of space - in both senses of the word. By setting one small object within a screenfu

The link made between more advanced methods of communication and greater social equality strikes a chord with recent controversies surroundi

The great French critic André Bazin, commenting on the 1951 film Where No Vultures Fly [Henry Watt, UK], observed of one of its sequences, d

A-Level results day: a testing time in the life of any young academic, even more so for Real Shame’s Benjy who will, on this day, admit to h

Any family can seem perfect from the outside, though, despite the illusion, this is very rarely the case. The Turner Exhibit explores inter-

Some really strong filmmaking nuances are exhibited midway through proceedings, when Andrew comes horrifyingly close to abducting another ma

Thematically, The Underground Empire explores human progress and how humans and the natural world are both entwined with each other and yet

In the enterprise of creating popular cinema a surfeit of filmed and written material is produced and discarded. One feels that the gleaning

A gnomic animation proceeds in which worm-like lifeforms interact with a higher entity. A piece of paper handed down from on high is passed

In Chemicals, Like God, whatever ‘release’ is attained is coded with the displacement implied by the word. The biological imperative to sate